Digital Mixers

Now in a feature-packed new Chrome Edition, the Allen and Heath Qu-16 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience for users. Bristling with a plethora of features you would expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

Features:

• 19” Rack Mountable
• 16 Mono Mic/Line Inputs (TRS + XLR)
• Recallable AnaLOGIQTM Preamps
• 3 Stereo Inputs (TRS)
• 12 Mix Outputs (XLR)
• 7 Monitor Mixes (4 mono + 3 stereo)
• 4 FX Engines
• 2 dedicated FX Sends / Returns
• 4 Mute Groups and DCA Groups
• AES Digital Out
• 24x22 USB Audio Interface
• dSNAKETM™ Remote Audio Port
• 17 Motor Faders
• 800x480 Touchscreen
• 4 Soft Keys

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

Now in a feature-packed new Chrome Edition, the Allen and Heath Qu-24 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with a plethora of features you'd expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-24 has the power and pedigree to deliver class-leading audio performance. The Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

Features:

• 24 mono mic / line inputs (TRS + XLR)
• Recallable AnaLOGIQ preamps
• Three stereo inputs (TRS)
• 20 mix outputs (XLR)
• Two stereo groups (switchable to Mix mode)
• Up to nine monitor mixes (4 mono + 5 stereo)
• Two stereo matrix outs
• Four FX engines
• Four dedicated FX sends/returns
• Four mute groups and Four DCA groups
• AES digital out
• 32 x 30 USB audio interface
• dSNAKE™ remote audio port
• 25 motorized faders
• 800 x 480 color touchscreen
• Ten soft keys

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

Now in a feature-packed new Chrome Edition, the Allen and Heath Qu-32 Mixing System reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with a plethora of features you would expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-32 has the power and pedigree to deliver class-leading audio performance. Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

Features:

• 32 Mono Mic/Line Inputs (TRS + XLR)
• Recallable AnaLOGIQTM Preamps
• 3 Stereo Inputs (TRS)
• 24 Mix Outputs (XLR)
• 4 Stereo Groups (switchable to Mix mode)
• Up to 11 Monitor Mixes (4 mono + 7 stereo)
• 2 Stereo Matrix Outs
• 4 FX Engines
• 4 dedicated FX Sends / Returns
• 4 Mute Groups and 4 DCA Groups
• AES Digital Out
• 32 x 32 USB Audio Interface
• dSNAKETM Remote Audio Port
• 33 Motor Faders
• 7" Touchscreen
• 10 Soft Keys

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

The Allen and Heath Qu-Pac Digital Mixing System takes the power and legendary quality of the Qu family and shrinks it into a compact desk or rack mount format. This system doubles as a 32 x 32 USB recording interface and features 16 of Allen and Heath's Recallable AnalogiQ preamps. Powered by a 5 core ARM processor, the Qu-Pac provides a plethora of integrated processing effects, such as channel-independent 4-band parametric EQs, compressors, delay, and reverb. Custom settings and Cat5 expansion up to 38 inputs, makes Qu-Pac a scalable, failsafe solution for hardworking bands, schools, hotels, corporate events, live music bars, conferences, personal mixing and many more scenarios requiring a pro mixing solution in a tiny footprint. User permissions and the customizable Qu-Control screen make Qu-Pac convenient and safe for day-to-day use by non-technical staff.

Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

Features:

• 19" Rack Mountable
• 16 local Mono Mic/Line Inputs (TRS + XLR)
• Recallable AnaLOGIQTM Preamps
• 3 Stereo Inputs (TRS)
• 12 local Mix Outputs (XLR)
• 4 Stereo Groups (switchable to Mix mode)
• Up to 11 Monitor Mixes (4 mono + 7 stereo)
• 4 FX Engines
• 4 dedicated FX Sends / Returns
• 4 Mute Groups and 4 DCA Groups
• AES Digital Out
• 32 x 32 USB Audio Interface
• dSNAKETM Remote Audio Port
• 800 x 480 Touchscreen
• 15 Soft Keys

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

The Allen and Heath Qu-SB Digital Mixing System is an ultra-compact digital mixer, which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists. This system is portable enough to carry under one arm and comes loaded with Allen and Heath's highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.

The companion Qu-Pad app is a slick, intuitive interface for setting up the show and mixing live from your iPad, and there's also a customizable Qu-Control app that lets you choose just a few essential controls that you really need in front of you for easy access during the show. On top of the 18 on board inputs and 14 outputs, Qu-SB has users future-proofed with plug n' play expansion up to 38 inputs / 24 outputs via a family of remote AudioRacks.

Features:

• 16 local Mono Mic/Line Inputs (TRS + XLR)
• Recallable AnaLOGIQTM Preamps
• 1 Stereo Input (TRS)
• 12 local Mix Outputs (XLR)
• 1 Stereo Output (TRS)
• Expandable up to 32 input, 24 out using dSNAKE AudioRack
• Up to 11 Monitor Mixes (4 mono + 7 stereo)
• 4 Stereo Groups (switchable to Mix mode)
• 4 FX Engines
• 4 dedicated FX Sends / Returns
• 4 Mute Groups and 4 DCA Groups
• 32 x 32 USB Audio Interface
• Qu-Drive Multitrack Recording / Playback direct to USB device
• dSNAKETM Remote Audio Port

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

Powered by Allen & Heath's revolutionary XCVI 96kHz FPGA engine, the SQ-5 Digital Mixing System is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.

Features:

• 48 Input Channels
• DEEP Processing ready
• 17 Faders / 6 Layers
• 3 Stereo Matrix
• 7" capacitive touchscreen
• SLink port for remote audio / expansion
• 64ch I/O Port for audio networking
• 32 x 32 USB audio interface
• SQ-Drive direct recording to USB
• AES output
• Chromatic channel metering
• Integrated LED illumination
• Dedicated physical controls
• 8 Assignable SoftKeys
• Channel LCD displays
• 19" rack mountable

Be sure to check out the Spec sheet for more features, as well as the brochure and video for more information!

The Allen and Heath SQ-6 Digital Mixing System is a next generation digital mixer, powered by revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, the SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of <0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.

Features:

• 96kHz FPGA processing
• 48 Input Channels
• DEEP Processing ready
• 25 Faders / 6 Layers
• 3 Stereo Matrix
• 7" capacitive touchscreen
• SLink port for remote audio / expansion
• 64ch I/O Port for audio networking
• 32 x 32 USB audio interface
• SQ-Drive direct recording to USB
• AES output
• Chromatic channel metering
• Integrated LED illumination
• Dedicated physical controls
• 16 Assignable SoftKeys
• 4 Assignable Soft Rotaries

Be sure to look at the Spec sheet for more features, as well as the brochure and video for more information!

Allen & Heath's GLD Series offers a user-friendly experience that is not only cost-effective but also scalable to meet your current and future digital mixing needs. GLD series mixers have been upgraded to "Chrome Edition" versions that feature redesigned aesthetics to match their "Chrome" moniker, along with automatic mic mixing, embedded plugin effects, and upgraded compressor models. The GLD-112 Chrome Edition model comes with all the features mentioned in the list below along with 48 input processing channels, 8 stereo FX returns fed by A&H's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and plenty of DSP power for no-compromise processing capabilities. It also comes with local I/O in the form of 4 XLR mic/line inputs, 4 XLR line outputs, 4 RCA inputs, 2 RCA outputs, and SPDIF and AES3 digital outputs. This digital mixer's advanced features and functionality will help take your stage productions to the next level, while still being easy enough to use for a novice that's just starting out.

Features:

• Analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen
• A fully-customizable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips
• 28 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux / FX sends
• Connects to a range of plug 'n play I/O racks to build systems with up to 48 microphone inputs
• A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84, and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H's dSNAKE protocol
• dSNAKE provides control to the remote preamp, and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System

Be sure to check out the Spec sheet for a larger list of features, as well as the brochure and video for more information!

Allen & Heath's GLD Series offers a user-friendly experience that is not only cost-effective but also scalable to meet your current and future digital mixing needs. GLD series mixers have been upgraded to "Chrome Edition" versions that feature redesigned aesthetics to match their "Chrome" moniker, along with automatic mic mixing, embedded plugin effects, and upgraded compressor models. The GLD-80 Chrome Edition model comes with all the features mentioned below along with 48 input processing channels, 8 stereo FX returns fed by A&H's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and plenty of DSP power for no-compromise processing capabilities. This digital mixer's advanced features and functionality will help take your stage productions to the next level, while still being easy to use.

Features:

• Analogue-style channel processing control section complemented by a graphical 8.4" touch screen
• A fully-customizable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips
• There are 20 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux/FX sends
• The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats
• Connects to a range of plug 'n play I/O racks to build systems with up to 48 microphone inputs
• A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84, and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H's dSNAKE protocol
• dSNAKE provides control to the remote preamp, and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System

Be sure to check out the Spec sheet for a larger list of features, as well as the brochure and video for more information!

The Allen and Heath dLive C1500 is the first rack-mountable control Surface for the dLive MixRack. Packed in a tiny footprint are 12 faders over 6 layers, built-in audio I/O, an audio networking port, a 12" capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

Features:

• 12 faders
• Fully assignable layout - 72 fader strips
• 19 assignable SoftKeys
• Engineer's Wedge and IEM fader strips
• Comprehensive multipoint metering
• Daylight visibility
• USB stereo recording and playback
• 6 XLR mic / line in, 6 XLR line out
• 1 digital st AES3 in, 1 digital st AES3
• Harmony UI integrates screen and wrap-around controls (see Spec sheet for more information)
• Connection hub (See Spec sheet for more information)

Be sure to check out the brochure and video for more information!

The Allen and Heath dLive C2500 is a small-footprint yet powerful control Surface for the dLive MixRack. It features 20 faders over 6 layers, built-in audio I/O, an audio networking port, a 12" capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

Features:

• 20 faders
• Fully assignable layout - 120 fader strips
• 19 assignable SoftKeys
• Engineer's Wedge and IEM fader strips
• Comprehensive multipoint metering
• Daylight visibility
• USB stereo recording and playback
• 6 XLR mic / line in, 6 XLR line out
• 1 digital st AES3 in, 1 digital st AES3
• Harmony UI integrates screen and wrap-around controls (see Spec sheet for more information)
• Connection hub (See Spec sheet for more information)

Be sure to check out the brochure and video for more information!

HARMONY USER INTERFACE

Where many digital consoles are still trying to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. C3500s twin 12 inch capacitive touchscreens feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you would expect them to. Bespoke widget areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screens are complemented by a set of rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The high-grip rotary knobs offer precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.

TRANSPARENT WORKFLOW

C3500s layout is fully customisable, allowing the user to create a mixing interface that reflects their own mental map of the show, or for an installer to set up the surface to match the venue and the experience levels of the operators. Throughout the dLive journey our guiding aim has been to create fast and transparent workflows that allow the operator to focus on the mix, not the mixer. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and there are 19 assignable SoftKeys, plus 3 pages of 6 assignable rotaries.

The VENUE