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Griffin Technology (123995 ) Mic Stand Mount

Griffin Technology (123995 ) Mic Stand Mount Mic Stand

Mount your iPad 1st, 2nd, 3rd or 4th Gen onto a Mic Stand

Whether for recording lyrics, displaying sheet music, tabs, or whatever, your iPad may be the most useful thing to hit the studio since gaffer tape.

Griffin's Mic Stand Mount for iPad screws on to a standard microphone stand boom (5/8" with 27 threads/inch for those of you playing along at home) so you can raise or lower your iPad to the perfect height. It also slips into most standard mic clips.

Rubber-lined grips at the ends of the Mic Stand Mount's four arms hold your iPad securely on all four corners without blocking the controls, dock connector or audio jack. The mount rotates and locks into either portrait or landscape view, and tilts up to 90 degrees. And you can leave your iPad in its case; the grips accommodate most cases for iPad.

Griffin's Mic Stand Mount for iPad: the most secure way to mount your iPad in the studio (at least until your entourage grows to include "Dude Who Holds My iPad Like a Music Stand.")

NOTE: Just as you would with an expensive mic or other equipment, make sure your mic stand and boom are properly counterweighted, tightened and positioned to support the weight of your iPad. If you're using Mic Stand Mount on a boom, we recommend aligning the boom with one of the legs of your stand to provide an extra element of stability. And mind your windmills.

Griffin's Mic Stand Mount for iPad Features:
  • Mount your iPad on a mic stand
  • Screws onto industry standard (5/8" 27-thread-per-inch) microphone stands
  • Fully adjustable tilt and swivel; locks safely and positively into landscape or portrait orientation
  • Rubber inserts securely grip your iPad on its four corners
  • Full access to volume controls, dock connector, and audio jack
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BackBeat Books (330933)The Live Sound Manual

BackBeat Books (330933)The Live Sound Manual Manual

Getting Great Sound at Every Gig

From faders to frequencies, microphones to mixing, pink noise to polarity, this is the all-inclusive manual for creating the finest sound for live performances. It applies to the entire range of stage performers and their equipment - solo acoustic guitar and vocal, full-scale band requiring complex amplification, or electronica DJ working multiple turntables. Every aspect of live sound is covered, including: analyzing venue needs, acquiring and managing the ideal sound system, setting up and testing equipment, understanding and applying the theories of acoustics, maintenance, trouble-shooting, and much more. Also features a 15,000-word technical glossary.

Getting Great Sound at Every Gig
Series: Book
Publisher: Backbeat Books
Format: Softcover
Author: Ben Duncan
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Hal Leonard (331468) Ultimate Church Sound Operator's Handbook

Hal Leonard (331468) Ultimate Church Sound Operator's Handbook 1st Edition

Technical reference by Bill Gibson. 440 pages, soft cover - 1st Edition

The Ultimate Church Sound Operator's Handbook is written to specifically address the concerns and needs of the sound person who serves ministries and churches. The modern church uses many of the same presentation tools that have become common in television, movies, and concerts, placing a unique set of technical expectations on its eager, willing, and primarily volunteer force. This comprehensive handbook blends the relational and technical aspects of church sound in a straightforward and easy-to-understand manner. The Ultimate Church Sound Operator's Handbook will provide a leg-up to church sound operators who want to do a great job but need the perfect tool - created specifically for them - to gain the knowledge needed to excel and succeed. Author is Bill Gibson. 440 pages.

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Hal Leonard (141445) Mastering Audio The Art And Science 3rd Edition

Hal Leonard (141445) Mastering Audio The Art And Science 3rd Edition 

By Bob Katz, paperback

Mastering Audio The Art And Science 3rd Edition

In an easy-to-grasp, holistic manner Mastering Audio: The Art and the Science, Third Edition unravels the technical mysteries that regularly challenge audio engineers. Including practical tips and real world experiences, Bob Katz explains the technical detail of the subject in his informative and humorous style. Completely reorganized to focus on workflow, this third edition details mastering by providing a step-by-step approach to the process. First covering practical techniques and basic theory, this industry classic also addresses advanced theory and practice. The books new approach is especially suitable to accompany a one- or two-term course in audio and mastering.

Completely rewritten and organized to address changes that will continue to influence the audio world, this third edition includes several new chapters addressing the influence of loudness measurement and assessment and provides explanation of how mastering engineers must integrate loudness measurement and PLR assessment in their mastering techniques.

Mastering Audio: The Art and the Science, Third Edition also includes the newest approaches to equalization, monitor response measurement and correction, the psychoacoustics of clipping, an extended discussion of restoration and noise reduction techniques, an extended set of listening examples, and an updated chapter on surround mastering including coverage of Pure Audio BluRay.

  • Medium: Softcover
  • ISBN: 9780240818962
  • UPC: 888680044466
  • Width: 9.5
  • Length: 8.5
  • Pages: 392
  • Package Qty: 3
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