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PreSonus StudioLive 32SX (SL 32SX III) Compact Digital Mixer

XMAX Mic Preamp Design - 40 Channel - 25 Touch-sensitive Motorized Faders

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What's in the box:

  • PreSonus StudioLive 32SX
  • 1 Meter USB Cable
  • 1 Meter CAT6 Ethernet Cable
  • IEC Power Cord
  • 3-year Limited Warranty

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Item Number 
PRE-SL32SXIII
Vendor Part
SL 32SX III

Power Meets Efficiency

PreSonus's StudioLive 32SX (PRE-SL32SXIII) Compact Digital Mixer is the perfect compact 32-channel digital mixing solution. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32SX is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors - including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 22 mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they're required, shortening analog cable runs and streamlining large installations. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix.

Features:

  • Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class
  • 40 input-channel digital mixer with 25 touch-sensitive motorized faders
  • 26 Mix Buses Including 16 Individually Configurable FlexMixes (Aux, Matrix, Or Subgroup Options)
  • 286 Simultaneous Processors With State Space-Modeled Fat Channel Compressor And EQ Plug-Ins Available On Every Input Channel And Output Bus
  • FLEX FX Multi-Effects Processor With 4 Slots To Load Legendary Reverb Emulations And Delays With 4 Dedicated Effects Buses

Specifications for the PreSonus StudioLive 32SX

{ "Microphone Preamplifier": { "Input Type": "XLR Female, balanced", "Frequency Response to Main Output (at unity gain)": "20-20 kHz, ±0.5 dBu", "Input Impedance": "1 kΩ", "THD to Main Output": "<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd", "S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)": "94 dB", "Common Mode Rejection Ratio (1 kHz at unity gain)": "65 dB", "Gain Control Range (±1 dB)": "0 dB to +60 dB", "Maximum Input Level (unity gain)": "+12 dBu", "Phantom Power (±2 VDC)": "48 VDC, switchable per channel" }, "Line Inputs": { "Type": "¼” TRS Female, balanced", "Frequency Response to Main Output (at unity gain)": "20-20 kHz, ±0.5 dBu", "Input Impedance": "10 kΩ", "THD to Main Output": "<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd", "S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)": "94 dB", "Maximum Input Level": "+18 dBu" }, "Tape Inputs": { "Type": "RCA Female, unbalanced (stereo pair)", "Maximum Input Level": "+12 dBu, ±0.5 dBu" }, "XLR Outputs": { "Type": "XLR Male, balanced", "Maximum Output Level": "+24 dBu, ±0.5 dBu", "Output Impedance": "100Ω" }, "Line Outputs": { "Type": "¼” TRS Female, balanced", "Maximum Output Level": "+18 dBu, ±0.5 dBu", "Output Impedance": "100Ω" }, "Tape Outputs": { "Type": "RCA Female, unbalanced (stereo pair)", "Maximum Output Level": "+18 dBu, ±0.5 dBu", "Output Impedance": "100Ω" }, "Headphone Output": { "Type": "¼” TRS Female, active stereo", "Maximum Output": "100 mW/ch. @ 60Ω load", "Frequency Response": "20 Hz – 20 kHz (± 0.5 dB)", "THD+N": "0.01%, 1 kHz, max gain, 20 Hz BW, unwtd", "S/N Ratio": "96 dB, 1 kHz, max gain, 20 Hz BW, unwtd" }, "System Crosstalk": { "Input to Output": "-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)", "Adjacent Channels": "-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)" }, "Digital Audio and Control": { "ADC Dynamic Range": "115 dB (A-wtd, 48 kHz)", "DAC Dynamic Range": "115 dB (A-wtd, 48 kHz)", "USB Recording Port": "USB 2.0, Type-B", "AES/EBU Output": "XLR Male", "Network Control Port": "RJ-45", "AVB Audio Network Port": "Locking XLR Ethernet", "Internal Processing": "32-bit, floating point", "Sampling Rate": "48 kHz, 44.1 kHz", "A/D/A Bit Depth": "24", "Reference Level for 0 dBFS": "+18 dBu", "Total System Latency": "1.9 ms (local routing, analog in-analog out, all processing active)" }, "Clock": { "Jitter": "<20 ps RMS (20 Hz - 20 kHz)", "Jitter Attenuation": ">60 dB (1 ns in, 1 ps out)" }, "Power / Environmental": { "Connector": "IEC", "Input-Voltage Range": "90 to 230 VAC (±10%)", "Power Requirements (continuous)": "85W", "Recommended Ambient Operating Temperature": "0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit" }, "Physical": { "Height": "6.51” (165.36 mm)", "Width": "25.98” (659.81 mm)", "Depth": "22.97” (583.84 mm)", "Weight": "30 lbs. (13.6 kg)" } }

StudioLive Series III - Navigating Your Mix

StudioLive Series III - Channel Settings

StudioLive Series III - Using Scenes and Mute Groups

StudioLive Series III - Setting Up A Matrix Mix

How to Livestream with the #Presonus StudioLive

PreSonus-Digital Patching (Soft Patching) on StudioLive Series III

Wirelessly Controlling a PreSonus StudioLive Series III Mixer

StudioLive Series III - DCA Groups

How to Update Your StudioLive Series III Mixer

PreSonus - StudioLive Series III DAW Mode for Logic Pro

PreSonus StudioLive Series III - General Settings

StudioLive Series III - Creating A Monitor Mix

Writing automation within Studio One using a StudioLive Series III mixer - Part 6/6

StudioLive Series III DAW mode overview - part 5/6

Using the Fat Channel when recording with a StudioLive Series III mixer - part 4/6

Using effects and remote control apps when recording with a StudioLive Series III Mixer - part 3/6

Getting started with recording through a StudioLive Series III mixer - Part 2/6

Getting started with the StudioLive Series III mixer in the studio. Part 1/6

PreSonus-Introducing StudioLive Series III S!

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